It can be easy, and maybe even natural, to wonder what is wrong with us when we have nightmares? I’ve often felt shame in the dreaming community with the interpretation that nightmares are alarm bells, warning signs, visions of distress. It can inspire panic, anxiety.
I have recently been in a phase of somewhat sensitive psychic attunement. Synchronicities are common-place and it makes me feel more at ease, as if I can truly let go and trust that i’m in flow.
(words of the year….unapologetic and trust)
(I’m grounded by my apologies to the Earth for lack of witnessing Her and I’m inspired by a sense of unapologetic-ness in human beings. I thrive towards this expression)
So, my ears perked up when a sister shared something she’d read about a shaman who said that nobody can expect to go through a healing process without dismemberment.
I had woken up from a disturbing dream in the wee hours of the morning and was rattled by the amount of dismemberment I witnessed.
It can be easy to take this personally. Is something wrong with me that I can see this coming from my own mind? This despite the studying I’ve done about Jung’s Collective Unconscious, or the Autonomous Psyche, which is independent of my ego position.
But then there was fear. Is this going to happen to me? But I recalled something about my reading up on Sekhmet, the Egyptian Lioness Goddess, and how her devotee Nicki Scully, wrote that her medicine is one of devouring. She is simultaneously that which causes drought, plague, pestilence, while also being The Healing One that you pray to at times of desperation.
This reminds me of times of being really sick. And awakens me to the polarity at the heart of all Life. The heart, and more specifically, the Heartbeat. For fire symbolically represents vitality, life force, activation, power, the heart of the Zodiac is Leo, the lion, represented by the Major Arcana card “Strength” in the Tarot. It is leadership by natural and divine right.
My ears perked up when the following evening of the dream, a friend reflected on her experience with the word of her year of “2023” being “remember” with something she’d heard recently about how one cannot expect to be on a spiritual journey without dismemberment. This led me back to Sekhmet, who’d came to me in a dream before the Summer Solstice.
The dream:
I’m riding passenger in a car driven by my mom. I think we are in North Tucson, in some neighborhood, clear skies ahead. A lioness struts on the sidewalk to the left of the car. Or is it the right? We are stopped now, and the lioness jumps through the sun roof, into the car, and onto my lap. The power is immense. I have my mom very quietly and slowly open the door, and I kick my foot a little to gesture for the cat to leave. She does.
I read about her during Tucson summer, the heat maddening. Reading about the hot desert breath that is Sekhmet, this desert Goddess’s, I felt immediately transitioned from desperation to devotion. I also read that to be a devotee of Sekhmet, one must be willing to be digested in the belly of the Goddess.
The disturbing dream I have, the one of dismemberment, of some part of me pouring acid on the skin of beautiful young women, so that the bone is clean for sawing or chopping off. The image of clean bone. The implication of chemicals being poured. The panicked faces of the women, the other parts of me, horrified. That it is all true. And also, so is the Observer, or the Dreamer, the egoless state of awareness within us. This is the part of us that can do dreamwork in an analytical sense.
What happened earlier in this dream sequence, is as follows:
I am at some kind of summer camp for women. Lots of young women, me included, though I felt much younger. I felt a part of myself that I haven’t been in touch with for a while: the self that feels very alone and like an outcast, reminding me of the mask that I used to wear with social anxiety, when I felt so disconnected from everyone, with no way out. I tried to connect with old friends, and it didn’t happen. They weren’t interested. My efforts were too late for that. Then a game of tag emerged. A very intricate one, with rules and technique. The second person who was “it” instead of tagging just anybody, she went back to the beginning of the game and tagged the most valuable player, some kind of trickster/wizard, and when she tagged them, gold and beauty poured out.
I was in awe, judgmental of myself for not being like that, for just accepting what comes to me out of this need for survival and belonging. Now I’m driving and we are just about to enter the highway when we are stopped, due to a cop pulling over the car in front of us. The driver has very dangerous chemicals. It’s a small bag of them that I see sort of waved around. The cop orders the man to get rid of them. That’s when there’s a vision of what the man is going to do to get rid of them. He’s going to pour it on his prisoners, this room of beautiful young women. In the first part, I have an ego role, or rather strong one, and then in the second part, driving but being stopped, I become the observer of the action in front of me, and then I become a sort of floating awareness. Is the dismemberment part coming for The Outcast? The part of me that doesn’t belong, that can’t go for the gold. To enter the freeway, or freedom, I must become digested in the belly of the Goddess.
So a re-frame from seeing this as a “nightmare” is to embrace it as The Mystery~ that which terrifies and fascinates—mysterium tremendem et fascinans— for as a sacrifice for the Goddess at this altar of life, one must be devoured over and over again. To become unapologetic, I must sacrifice this younger version of self, so desperate to belong, this younger version of self that wakes up from the dream scared, this version of self that believes any truth other than all life is a paradox, and most important is how we treat one another and the earth, this young woman, this young woman that isn’t kind to other people, this young woman that is so concerned with what she looks like, this younger woman that is trapped by anything. With Sekhmet’s help, perhaps this is a real possibility. Perhaps she’s hard to let go of because she’s very angry. Her blood is on fire with rage. She cuts right to the bone. But her fierceness is not one-sided. She Strength is Coeur de Leon~ the Heart of the Lion. And perhaps this is what we miss when we are too frightened. That poison also heals. Don’t psychedelics teach us that?
Nicki Scully writes in “Sekhmet: Transformation in the Belly of the Goddess”:
“Although Ma’at is the goddess of truth, order, harmony and cosmic law (not people’s laws), whenever the balance of cosmic law swings too far in one direction or another on this planet, it is Sekhmet, as fierce Protectress of the Divine Order, who is called to bring things back into balance.”
It seems natural to associate this Goddess with the bleeding phase of the menstrual cycle. The need for solitude, for darkness, for the Wailing Woman to come and sing her song, for praises of Grief and Letting Go, for the rage that wells up inside with the sickness and sadness of the world.
Perhaps this dream doesn’t belong to me, but perhaps it’s for us, as a collective. That we are never going to make it out of here alive.
And perhaps that’s why we have these disturbing dreams. In what ways do we grow complacent of this fact? In what ways do we hold ourselves and others back? In what ways can we pay tribute to this Goddess?
Her myth, from the aforementioned book by Nicki Scully:
“Sekhmet’s most common myth speaks of a time long, long ago when Ra-the sun god who was said to have created the Earth, the Sky, and all that dwelt herein, including humans- was seen to be growing old. Although he had ruled over our precious planet for millennia, humans began to perceive him as aging and losing his power and ceased to pay their respects, not only to Ra but to each other and the planet as well. no longer did they express their gratitude for the blessings and miracles of life, and they openly disrespected the sun god, having forgotten the source of life itself.
As Ra felt mocked and disregarded, he called on his daughter Sekhmet to incarnate on Earth to deal with the upstart humans. When she saw how disrespectful people were to one another and to Ma’at as well as to Ra, she went into a rage and began a slaughter that evolved into carnage with no end in sight. Her bloodlust knew no bounds, and it appeared as though no human would escape her wrath. She started her rampage in Nubia and continued northward throughout Upper Egypt and into the Delta in Lower Egypt. She became so intoxicated by the taste of human blood that she made no distinction between good and evil.
Ra loved the children of the Earth; they were his creation. So he called upon all the great Egyptian deities for help, but no one could temper the rage of this out-of-control goddess. Finally, Thoth, the god of wisdom, came up with a plan. He told Ra to have the women of Heliopolis brew seven thousand vats of barley beer spiked with powerful herbs, such as poppies brought from Elephantine Island in the south, Andrade root, and other magical, mind-altering substances, with pomegranate juice to dye in the color of blood. When Sekhmet lay down to take a nap, the priests and priestesses crept as close as they dared and poured the beer around her in puddles that she would not miss, hoping she would mistake the beer for human blood.
Sure enough, when she awoke, Sekhmet discovered the beer and gleefully lapped up the bloodline brew, counting until she became intoxicated. Most versions o the myth say she became drunk; however, I believe that rather than being subdued into a drunken stupor, Sekhmet’s mind was expanded and her heart opened. When she was able to see with the new eyes of compassion what she had done, her rage was transformed int love.
As the story continues, Sekhmet, having been pacified and now of a more docile nature- some say as the water buffalo, the Egyptian cow, while others say it was as Bast, the tamer version of the cat- traveled south to Nubia and disappeared. Ra was quite upset at the loss of his daughter and finally sent Thoth and his entourage to coach her back to Egypt. Thoth promised her that she would never be forgotten, that there would be a great feast awaiting her return and a celebration every year in her honor. Always one to love a good party, Hathor/Bast/Sekhmet returned to Egypt, and the celebration continued every year probably practiced in some for to this day.”
So long story short: go experience a non-ordinary state of consciousness. Just kidding, not really.
But also, what can we learn about this really? How can we honor her rage and her love? Ma’at might seem to us very simple and obvious, but when we take into consideration that our sense of time is not cosmic time unless we’ve done the work in order for it to be so, then we become too small to be receptive to Her, and then we act discordantly. But what else are we but little humans with god complexes?
Through suffering, we earn humility, that which orients us to Ma’at, that we are actually not in control and that we are humbled before a greater power. And that which tries us also teaches us how to be the best versions of ourselves. The struggle is hard and ugly and painful, and it is arguable whether to be grateful for it or not, whether it was worth it in the end (which is a very personal decision for every individual). But it’s not evil, in a damned way, it’s nature. It’s part of the experience, and if we can survive, and even procure medicine from it, if we the heart of the lion is beating from within our apex predator hearts, we will live another day, with burgeoning and deepening wisdom in tow.